Last week, BBC4 ran a short series of programmes celebrating the commitment of the BBC to its regional TV and radio network.

One of the programmes shown was a 50-minute film directed by Bafta-winning documentarian Rex Bloomstein entitled All In A Day: The City.

Without commentary, the film simply chronicled a series of events that occurred in Sheffield on Wednesday 5 September 1973.

The documentary’s narrative was relatively unremarkable – a birth, a marriage, a retirement, a funeral – yet it was the most fascinating thing I’ve seen on the box in months.

It was a very real depiction of the mundanity of real life, far removed from the so-called reality shows of the 21st century – much more human and much, much more humane.

It also generated a bizarre feeling.  The things recorded in this film happened in my lifetime; indeed, they happened down the road from me – I was born two years earlier in a town neighbouring Sheffield.  Yet so much has life in Britain changed – at least in some ways – in the subsequent 35½ years, that they might as well have been recorded by pioneering film-makers in the Victorian era, so removed are they from life in 2009.

It’s difficult to explain – I watched the film on Saturday and have been trying ever since to figure out how to describe how it made me feel – because in some ways, paradoxically, very little has changed – babies are still born; couples still marry; people still die.

Yet, despite these events literally being within my lifetime, they seem utterly alien.  As a boy I remember an ITV daytime programme featuring newsreels from that week 20-25 years ago; black and white footage of a life where streetlights were gas-powered and London lived under a perpetual pea-souper.  Even if I could recognise an occasional odd face or landmark, the life shown in those newsreels had no resonance with what I recognised as life around me.  So it was with All In A Day: a snapshot of a way of life that now seems archaic.

This film made me remember that, growing up in the late 70s, I went to school with kids whose families really did only have an outside toilet, like one of the families in the film.  It wasn’t necessarily the norm – and my own upbringing was resolutely upper working/lower middle class, so this is not a Monty Python sketch about a working class boy made good – but nor did having a privy represent grinding destitution; I used outside loos plenty of times when I visited friend’s houses yet now indoor plumbing, double glazing and central heating is the norm.

In some ways, it’s made me revisit some of my own assumptions.

There is, shamefully, still poverty in Britain in 2009 – and, thanks to the recent efforts of a few thousand cunts in the City, there will be a lot more by the end of 2009 than there is today – but there is no doubt that just watching this film, which at times looks like the inspiration for a thousand Hovis ads, brings home the inarguable fact that Britain in 2009 is a wealthier society in which to live.

Were a miracle to occur and the Minister’s Wife find herself in an NHS maternity unit about to pop a sprog, she would not have a midwife pressing a listening horn to her stomach to monitor the baby’s heartbeat; she would be surrounded by and treated using more computer-driven, electronic technology than put men on the moon.

Those material gains do not, however, mean 2009 is necessarily a better place in which to live than 1973.

Sheffield’s steel foundries may have gone – industry replaced metaphorically and physically by the Meadowhall shopping mall – and their passing may not be mourned by those who spent their entire working life sweating in such a place, but lost with them has arguably been a sense of community and a national self-confidence brought about by actually making things.

“You can’t stop progress”, as Muriel’s Wedding had it: but with the ever-quickening pace of life and pace of change within that life, it doesn’t half make you wonder where we’ll be come 2044.

(In the Minister’s case, probably dead.)

The film is sadly not available on the BBC iPlayer, but can be viewed in two parts on Veoh and, if you didn’t catch it on BBC4 last Thursday, I heartily recommend it:

Part One -

Part Two -