John Patterson continues to be one of the most astute commentators on the politics of film making and the film industry. I commend to you his latest column for The Guardian, entitled Back in Black:
“You can see why the Walt Disney organisation has long balked at reissuing Song of the South, [a movie] almost immediately condemned by the National Association for the Advancement of Colored People for its absurdly sunny depiction of the Old South. Its star, James Basket, was unable to attend the film’s premiere in segregated Atlanta, which rather gave the lie to Uncle Remus’ claim that, “Yessuh, things are lookin’ mighty satisfactual.”"
Mind you, Mandingo, which I have not seen, is controversial not just because of its shocking frankness, but because the scenes of brutality against the slaves were tantamount to what we might now call “torture porn” with an unpleasant racial edge, to ensure maximum KKK arousal. When David Mamet called Spielberg’s Schindler’s List: “Mandingo for Jews”he wasn’t being complimentary.



